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X-WR-CALNAME:National Criminal Justice Arts Alliance
X-ORIGINAL-URL:https://artsincriminaljustice.org.uk
X-WR-CALDESC:Events for National Criminal Justice Arts Alliance
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TZID:Europe/London
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DTSTART:20190331T010000
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DTSTART:20191027T010000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190130
DTEND;VALUE=DATE:20190501
DTSTAMP:20260421T131851
CREATED:20181230T121950Z
LAST-MODIFIED:20190129T145157Z
UID:5356-1548806400-1556668799@artsincriminaljustice.org.uk
SUMMARY:Drawing Connections... at The Edges
DESCRIPTION:30th January – April 2019\nOpening event Wednesday 30th January (from 2pm)\nRadzinowicz Library\, University of Cambridge\nFree \nDrawing Connections will exhibit work from an eight-week project bringing together residents at HMP Springhill with students from the local Banbury and Bicester College Art Faculty in a series of artist-led workshops held at HMP Springhill. \nIn addition to selected works from the project\, visitors will be able to see the library’s permanent selection of Koestler Awards artworks – and meet participants and enjoy light refreshments at the exhibition’s opening on 30th January. \nThe exhibition continues until April 2019. \nPlease confirm attendance by emailing crimlib@hermes.cam.ac.uk \nClick here for more information about the project \n\nImage courtesy of Rebecca Greene
URL:https://artsincriminaljustice.org.uk/event/drawing-connections-at-the-edges-2/
LOCATION:Cambridge – generic\, Cambridge\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190208T080000
DTEND;TZID=Europe/London:20190208T163000
DTSTAMP:20260421T131851
CREATED:20181127T143421Z
LAST-MODIFIED:20181127T143518Z
UID:5179-1549612800-1549643400@artsincriminaljustice.org.uk
SUMMARY:Rewriting Justice
DESCRIPTION:Friday 8th February 2019\n10am – 4.30pm\nLondon\nFrom £59.88 \nBOOK NOW \nA one day introductory course for theatre-artists\, early career playwrights and criminal justice professionals with an interest in the specialised field of theatre\, women and criminal justice\, led by Anna Herrmann\, Clean Break‘s Joint Artistic Director\, and Vivienne Franzmann (playwright). \nThrough drama and play-writing exercises\, group work and discussion\, participants will: \n\nLearn creative ideas and exercises for facilitating playwriting with women in criminal justice settings\nExplore best practice when working creatively with adults in vulnerable circumstances\nGain confidence and skills for managing challenging situations\nHear insights about working in prisons as a playwright for Clean Break.\n\nClean Break is the UK’s leading theatre company focusing exclusively on women in the criminal justice system. With a 40 year track record\, this training will give participants a unique insight into the company’s successful approach to theatre practice in both prison and community settings. \nClick here to book your place \n\nClean Break is offering three free bursary places to applicants who have had personal experience of the criminal justice system. If you qualify for one of these places email participation@cleanbreak.org.uk quoting ‘Rewriting Justice bursary place’ stating why you are eligible\, and what you would like to get out of the day. \n\nImage courtesy of Clean Break
URL:https://artsincriminaljustice.org.uk/event/rewriting-justice/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190211T180000
DTEND;TZID=Europe/London:20190211T190000
DTSTAMP:20260421T131851
CREATED:20190205T170158Z
LAST-MODIFIED:20190205T170158Z
UID:5458-1549908000-1549911600@artsincriminaljustice.org.uk
SUMMARY:Music in prisons: defining a successful project
DESCRIPTION:Monday 11th February\n6pm – 7pm\nGuildhall School of Music & Drama\, London\nFree \nRegister to attend here \n\nThe idea that music has the power to transform is as old as music itself. In recent years\, this idea has been outworked most evidently in the various musical interventions and projects taking place around the world intended to bring about individual and social transformation. \nIn this evening seminar\, Sarah Doxat-Pratt (University of Nottingham) will look specifically at music projects in a prison context\, raising questions regarding who defines success in this area. Drawing on over a year of fieldwork with the Irene Taylor Trust\, her paper will discuss the motivations and success criteria of prisoner participants themselves. \n\nImage courtesy of Irene Taylor Trust\, credit: Lizzie Coombes \n 
URL:https://artsincriminaljustice.org.uk/event/music-in-prisons-defining-a-successful-project/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190214
DTEND;VALUE=DATE:20190331
DTSTAMP:20260421T131851
CREATED:20181127T145134Z
LAST-MODIFIED:20181127T153235Z
UID:5183-1550102400-1553990399@artsincriminaljustice.org.uk
SUMMARY:Jesus Hopped the 'A' Train
DESCRIPTION:14th February – 30th March 2019\nMonday to Saturday\nLondon\nFrom £10 \nBOOK NOW \nFrom Pulitzer Prize winner Stephen Adly Guirgis (The Motherfucker with the Hat) and directed by Kate Hewitt\, Young Vic present a dark comedy about the contradictory nature of faith. \nInside the lockdown wing of Rikers Island prison\, a frightened young man accused of murdering a cult leader is confronted with a charismatic born-again serial killer and a sadistic guard.  Will one man’s redemption lead to another’s damnation? \n“Like a shot of caffeine straight in the veins”\n– The Guardian
URL:https://artsincriminaljustice.org.uk/event/jesus-hopped-the-a-train/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190220
DTEND;VALUE=DATE:20190317
DTSTAMP:20260421T131851
CREATED:20190124T122134Z
LAST-MODIFIED:20190124T122134Z
UID:5387-1550620800-1552780799@artsincriminaljustice.org.uk
SUMMARY:There is a Field
DESCRIPTION:20th February – 16th March 2019\nTheatre503\, London\n£17 / £12 / £10 \nBOOK NOW \n“Why you all looking at me like that? Eh? You never seen a real Muslim before? Is it cos I’m white?” \nMark’s mother wants him to bury his father and it’s up to Saleh to find him and bring him home for a proper East End send off. Only Mark is no longer Mark\, he’s Abdullah. There is A Field is a London story of faith\, death and family strife reshaped by local crises and global events. \n\nSynergy Theatre Project’s new production is written by former prisoner Martin Askew\, directed by Esther Baker and features Archie Backhouse\, Sarah Finigan\, Roseanna Frascona\, Sam Frenchum\, Fabrizio Santino. \nSynergy began working with Martin after his release from prison\, commissioning There is a Field as his debut\, full-length play. Martin grew up in the East End and started writing after witnessing the murder of a close friend. His screenplay Snow in Paradise was selected for the 2014 Cannes Film Festival. \nFind out more and book here \n\nImage courtesy of Synergy Theatre Project
URL:https://artsincriminaljustice.org.uk/event/there-is-a-field/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190222
DTSTAMP:20260421T131851
CREATED:20190124T124320Z
LAST-MODIFIED:20190124T124320Z
UID:5391-1550707200-1550793599@artsincriminaljustice.org.uk
SUMMARY:The Biomechanics of the Treadwheel
DESCRIPTION:21st February 2019\nMorning\nHMP Stafford \nThis is a public performance of Rideout‘s performing arts residency at HMP Stafford. If you would like to attend\, please contact saul@rideout.org.uk no later than 14th February. \n\nFollowing the success of last year’s Past Time partnership with Prisoners\, Medical Care and Entitlement to Health in England and Ireland\, 1850-2000 – a five-year Wellcome Trust-funded project led by Professor Hilary Marland (University of Warwick) and Dr Catherine Cox (University College Dublin) – Rideout (Creative Arts for Rehabilitation) is embarking on three further performing arts residencies\, known collectively as Staging Time. \nThe first of these\, The Biomechanics of the Treadwheel\, will use a mix of parkour\, contact improvisation\, and Meyerhold’s actor training methodology to create a dance performance exploring the history of hard labour in Victorian prisons. \nAs part of this process\, participants will create a new biomechanic etude based on hard labour\, which will be made available in the form of an illustrated pamphlet. \nWorking with Rideout will be choreographer Dave McKenna from Being Frank Physical Theatre\, illustrator Paul Gent\, historian Professor Marland and theatre academic Dr Silvija Jestrovic\, both from University of Warwick. \nTo find out more\, or register your interest in attending the public performance\, please contact saul@rideout.org.uk no later than 14th February. \n\nStaging Time is funded by Arts Council England\, University of Warwick and HMP Stafford. An external evaluation of the programme using a World Cafe methodology is being conducted by researchers from Staffordshire University and will be available in late 2019/early 2020. \n\nImage courtesy of Rideout
URL:https://artsincriminaljustice.org.uk/event/the-biomechanics-of-the-treadwheel/
LOCATION:Stafford – generic\, Stafford\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190223
DTEND;VALUE=DATE:20190320
DTSTAMP:20260421T131851
CREATED:20190124T115729Z
LAST-MODIFIED:20190124T121202Z
UID:5383-1550880000-1553039999@artsincriminaljustice.org.uk
SUMMARY:Inside Bitch
DESCRIPTION:27th February – 23rd March 2019\nRoyal Court Theatre\, London\n£18 (£12 Mondays) \nBOOK NOW \n“You’ve seen Orange is the New Black. You’ve seen Locked Up. You’ve seen Bad Girls.  So\, what have we got that’s different? Well\, for one\, we’ve been to prison.” \nClean Break and Royal Court Theatre present a play devised and performed by Clean Break members Lucy Edkins\, Jennifer Joseph\, Terri Ann Oudjar and Jade Small. \nCreated by women who aren’t guessing\, Inside Bitch is a playful subversion of the representation of women in prison and how things aren’t quite as seen on TV. \nConceived by Stacey Gregg and Deborah Pearson. \nFind out more and book here \n\nImage courtesy of Clean Break
URL:https://artsincriminaljustice.org.uk/event/inside-bitch/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190227
DTEND;VALUE=DATE:20190310
DTSTAMP:20260421T131851
CREATED:20181122T183259Z
LAST-MODIFIED:20181219T102332Z
UID:5118-1551225600-1552175999@artsincriminaljustice.org.uk
SUMMARY:The Jumper Factory
DESCRIPTION:27th February – 9th March\nThe Maria\, Young Vic\, London\nFrom £15 \nBook now \n\n“I wait whilst the world carries on\, whilst my family grow old\, whilst my lovers move on\, and I count down the days\, and I wait… \nHow would you survive in prison?” \n\nFrom Young Vic Taking Part\, created in collaboration with inmates at HMP Wandsworth and written by Luke Barnes\, this new piece explores the stories of people behind bars and the resilience they need to face a world that moves without them. \nClick here to book \n\nImage courtesy of Young Vic\, credit: Leon Puplett
URL:https://artsincriminaljustice.org.uk/event/the-jumper-factory/
LOCATION:London – Generic\, London\, United Kingdom
CATEGORIES:Events and training
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190227T093000
DTEND;TZID=Europe/London:20190227T160000
DTSTAMP:20260421T131851
CREATED:20181123T161238Z
LAST-MODIFIED:20190218T112308Z
UID:5160-1551259800-1551283200@artsincriminaljustice.org.uk
SUMMARY:Young people in the criminal justice system - how can the arts respond?
DESCRIPTION:Annual conference: 27th February 2019\n9.30am – 4pm\nThe Crescent Theatre\, Birmingham\n£90 (£70 for Clinks members). \n\n\nOnline bookings for this event are now closed. If you are still interested in attending\, please contact events@clinks.org to be added to the waiting list. \n\nThe National Criminal Justice Arts Alliance (NCJAA) 2019 annual conference asks the question: How can the arts respond to the issues facing young people in the criminal justice system? \nThe conference aims to answer this question with workshops\, performances\, panel discussions and speeches from leading professionals and young people who have been in contact with the criminal justice system. \nIntermission Youth Theatre will be performing Verona Road\, the company’s adaptation of Romeo and Juliet. Speakers include: \n\n(Video message) input from Edward Argar MP\, Parliamentary Under Secretary of State at the Ministry of Justice\nAbid Hussain\, Director of Diversity\, Arts Council England\nNathan Dennis\, Director\, First Class Legacy\nMatt Griffiths\, CEO\, Youth Music\nNeal Hazel\, Youth Justice Board\nLynnette Kelly\, West Midlands Assistant Police and Crime Commissioner\nJamal Khan\, Waltham Forest Council Young Advisor and author\nCraig Pinkey\, Criminologist and urban youth specialist\nLisa Rowles\, Director of Innovation and Evidence\, Khulisa\nSandwell Youth Offending Team\nUnitas\nDr Daniela Varley\, Director\, Recre8\nand more to be announced.\n\nIn the youth justice system\, nearly half of all children (under 18 years) are from black\, Asian and minority ethnic backgrounds with increasing numbers of Muslims and the starkest disproportionality amongst Gypsy\, Traveller and Roma children. In the adult estate\, the distinct characteristics and needs of young adults (18–25 years) are unaddressed\, resulting in disproportionate reoffending rates. \nWe know from evidence that the arts have the power to transform lives\, reduce crime\, challenge stereotypes and enhance art and culture for all. So\, how can the sector help to support children and young people up to the age of 25 in contact with the criminal justice system? \nThe conference will discuss good practice and policy\, at both local and national levels\, where arts and culture aim to address: poor outcomes for young black\, Asian and minority ethnic people in custody; Adverse Childhood Experiences (ACEs); health and wellbeing; leadership and role models. We will also explore effective partnership work\, funding\, and how evidence is used to make change. \nNCJAA invites policy-makers\, voluntary organisations\, prison staff\, practitioners\, academics and artists working with the arts and young people in the youth/criminal justice system to attend and be a part of this important discussion. \n\nWe are offering 10 free places to those with a lived experience of the criminal justice system\, or for who cost is a barrier to attending. Places will be given confidentially and on a first come first served basis. If you would like to apply please email info@artsincriminaljustice.org.uk
URL:https://artsincriminaljustice.org.uk/event/young-people-in-the-criminal-justice-system-how-can-the-arts-respond/
LOCATION:Birmingham – Generic\, Birmingham\, United Kingdom
CATEGORIES:NCJAA events and training
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190228T140000
DTEND;TZID=Europe/London:20190228T160000
DTSTAMP:20260421T131851
CREATED:20190218T105137Z
LAST-MODIFIED:20190218T105254Z
UID:5504-1551362400-1551369600@artsincriminaljustice.org.uk
SUMMARY:Cultural eXchanges: Art in prisons
DESCRIPTION:Thursday 28th February 2019\nDe Montford University\, Leicester\, LE1 5XY\nFREE \nThe Cultural eXchanges festival (25th February – 1st March 2019) features a variety of guests and speakers from the cultural and creative industries. Now in its eighteenth year\, the festival is held annually at De Montford University; hosted by the Faculty of Arts\, Design and Humanities and run by the third year Arts and Festivals Management BA (Hons) students. \nThe festival features a two-part Art in prisons event. \n\nPART I: 2-3pm\, Clephan 3.03\n2017 saw the launch of Talent Unlocked\, a two-week prison arts festival. As part of the partnership between DMU and HMP Leicester the festival is produced from both inside and outside of the “wall.” During 2018\, the festival ran simultaneously in HMP Leicester and HMP Stafford. This session provides an opportunity to discuss the challenges and the organisational differences between the two prisons. The panel is led by Jacqui Norton (DMU) and Dr Victoria Knight (DMU). \n\nPART II: 3-4pm\, Clephan 3.03\nChris Heighton (DMU)\, presents an insight into the evolution of participatory music programmes at HMP Leicester. He will share the journeys of professional and student musicians. Chris creates platforms for musicians from both sides of the “bars” to produce original music. This has included working with DMU partners\, the Philharmonia Orchestra and the Guildhall School of Music and Drama. \n\nFind out more here
URL:https://artsincriminaljustice.org.uk/event/cultural-exchanges-art-in-prisons/
LOCATION:Leicester\, Leicester\, United Kingdom
CATEGORIES:Events and training
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